Author Archives: jan

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QUOTES, 2014

Metal, paint, h-150 cm

“Quotes” on the island Biruchiy 2014 devoted to the outbreak of hostilities in the Crimea.
I tried to question all the beauty of nature surrounding us on the island Biruchiy, during the symposium, take quotes, blue sky, wonderful and warm sea, rest on the beach people, the entire peace rhythm of life, because just 200 kilometers from the place of our symposium are military actions. And the whole cloudless our position becomes relative.

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SOLO EXHIBITION “VESSELS“ BOTTEGA GALLERY, KIEV, 2014

The series “Vessels” of Nazar Bilyk is the stage of development of the cycle “Counterforms”. Vessels means fullness, completeness of meaning, existence, being. Not real, but rather possible, potential…

The purpose of becoming something. Vessels are emptiness that must be filled: by thought, energy, action. The potential for the realization of various thought forms, their transformation into forms on a physical, material level. Therefore, naturally, that “Vessels” exist in the classical space of options – a mirror, shredded in the space of infinite choice. Probably the main message here is this: a human consistently builds up his life, realizing at every step the choice to go in one direction or another.

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SCULPTURE OF SCULPTURE,YERMILOV CENTRE, KHARKOV, 2013

Almost all participants of the exhibition “Sculpture PRO sculpture” were formed as artists during the years of independent Ukraine. These are practicing sculptors who represent the two schools of modern sculpture that dominate the country,

Almost all participants of the exhibition “Sculpture PRO sculpture” were formed as artists during the years of independent Ukraine. These are practicing sculptors who represent the two schools of modern sculpture that dominate the country, having little in common with the traditional system of art education. Rather, they exist as some style directions, with certain formal, organizational principles, with their own internal geography, with mutual influences and penetrations.

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“FREEDOM SQUARE” YERMILOV CENTRE, 2014

Freedom Square is a phrase that challenges our controversy. It turns out that in Liberty, the notion of immaterial and unlimited, there was a clear material limit – the area. And here are important not so much physical quantities or geographic coordinates that determine the boundary of Freedom, but the fundamental inadequacy of concepts – Freedom and Cordon. This discrepancy has become a norm not only for city names, but also for people’s lifestyle…

Sorry, this entry is only available in Укр.

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CONTEMPORARY UKRAINIAN ARTISTS, SAATCHI GALLERY, LONDON, 2013


CONTEMPORARY UKRAINIAN ARTISTS

19-24 October 2013 




Organised by The Firtash Foundation. Sponsored by Group DF.
In association with Tsukanov Family Foundation
19th October until 24th October
Saatchi Galley, Duke of York’s HQ, King’s Road, London, SW3 4RY.

http://www.saatchigallery.com/current/contemporary_ukranian_artists.htm”>http://www.saatchigallery.com/current/contemporary_ukranian_artists.htm

Contemporary Ukrainian Artists’ is the most comprehensive exhibition ever devoted to Ukrainian contemporary art in the UK. For the first time on British soil, it brings together the works of 25 of Ukraine’s most influential artists including Oleksandr Roitburd, Oleh Tistol and Pavlo Makov… The exhibition has been organised by The Firtash Foundation with sponsorship from Group DF, an international group of companies based in Ukraine. The exhibition is part of Days of Ukraine in the UK, a celebration of contemporary and traditional Ukrainian art, fashion, literature and music. Contemporary Ukrainian Artists opens at the Saatchi Gallery on 19th October.

Ukraine has one of the most vibrant art scenes in the former Soviet Union. The artists in the exhibition have all played a vital role in the development of the Ukrainian art scene over the last twenty years or so, during which time the country has undergone a period of great social and political change. The exhibition charts the progression of contemporary Ukrainian art over this period, as it has flourished in the 21st century into one of the most innovative artistic nations in Europe.

The older generation of artists in the exhibition offer a vision of Ukraine in a vibrant and independent 1990s. During this period a new wave of artists, free from political and social constraints, pioneered two major new trends that would determine the shape of Ukrainian art – post-modern figurative and abstract neo-avant-garde. The younger artists in this exhibition reference their trail-blazing predecessors in many ways but their techniques, use of media and clear identity as 21st century Ukrainians set them apart from the older generation.

Igor Abramovich, curator of Ukrainian Contemporary Artists at the Saatchi Gallery said: “The exhibition will showcase various themes and techniques developed by the artists from Kiev and beyond. Some of the works address real life issues which I think that the British public will relate to, including Pavlo Kerestey’s video and performance works which highlight social problems in Ukraine. Artists such as Maxim Mamsikov and Igor Gusev have adopted a hyper-realist style, depicting every-day life, people and objects as fragments of collective memory. There is also the more dream like works of Arsen Savadov and Vasily Tsagolov, which combine contrasting characters and settings to provide a witty commentary on the world.”

Each work in the exhibition is unmistakeably Ukrainian – with references to culture, values and history that are specific to this unique nation. While many of the artists have already been shown in the UK, this is the first time their work will be seen together.

Igor Abramovich, curator of Ukrainian Contemporary Artists at the Saatchi Gallery, explains his vision: “I have been working for many years to promote Ukrainian art, and in particular contemporary art, on a more international scale. I feel strongly that in order to raise awareness of the important works that are being produced in Ukraine, our art scene needs to become international. The Firtash Foundation and its festival, Days of Ukraine in the UK, has given me the opportunity to showcase Ukrainian contemporary art on one of the most important international art platforms here in London. We hope that through this project, we will raise the profile of our vibrant and exciting art scene, and encourage people in the UK to learn a little more about Ukrainian art and artists.”

Featured artists:

Nazar Bilyk
Igor Gusev
Zhanna Kadyrova
Pavlo Kerestey
Oleksandr Klymenko
Anatoliy Kryvolap
Pavlo Makov
Maxim Mamsikov
Mykola Matsenko
Roman Minin
Vinny Reunov
Oleksandr Roitburd
Stepan Ryabchenko
Arsen Savadov
Oleksiy Say
Tiberiy Silvashi
Marina Skugareva
Yuriy Solomko
Victor Sydorenko
Oleg Tistol
Vasyl Tsagolov
Matviy Vaysberg
Artem Volokitin
Oleksandr Zhyvotkov
Oleksii Zolotariov

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SEINE, 2013

wood, steel, h-850 cm

the frame of an unfinished house on the beach, the Azov Sea, BIRUCHIY contemporary art project. Ukraine

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BIG DIPPER, 2013

steel, paint, h-320 cm

BIRUCHIY contemporary art project, Ukraine

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“TERRAIN ORIENTATION” National Art Museum of Ukraine, 2013

It may seem that the world around us has long been known and described. In fact, it is still waiting for the artistic interpretation. Consider the main paradox of globalization: the more unified the world, the more important for it are distinctions and landscapes as meeting points of spaces and events. While the twentieth century…

The art project “Terrain Orientation” represents the contemporary Ukrainian space with its truths and fictions, dreams and reality, beautiful nature and consequences of its helpless use, with traces of distant and recent past, which are still present in nowadays, reflecting in the public consciousness. Through paintings, drawings, photo and video the project invites the audience to the dialog about “the most important thing”: our country in past and present, fixed in natural and man-made landscape around us. History unfolds itself in space, thus the landscape is social. Moreover, it is changing constantly, creating new loci, and new territories of high voltage, where “we read time in space”.

Ukrainian landscape is a history, geography and politics. It arises from the mosaics of cultural stereotypes, public discussions, individual visions and social contradictions. The main slogan of our time – “East and West together” (North and South should be added here) – captures the problem of the country, where each region has its own historical experience and challenging present. After all, Ukraine even today remains unknown and mysterious both for citizens of the world and its own residents. It is yet to unravel; its hidden symbolical messages are to be decoded. And here again “geography” turns to politics. The current strategic choice of the country “between the East and West” is a choice of the future, of the way of further progress that somehow reflects in the fate of every person. Thus not only Ukraine, “a young state with great historical past”, should “orient itself in space”, but also every one of us should.

The participants of the project are well-known and young Ukrainian artists of various trends. Their vision of the world around them is emotional and analytical, critical and ironical, but always personal and concerned. Their art is of many meanings, bright, open for reflections and discussions, and able to overcome illusions of informational noise, addressing its language to each viewer.

Halyna Skliarenko, Ph.D in Art History.

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COUNTERFORMS, 2012

resins, fiberglass, 120х80 cm

“Counterforms” is Nazar Bilyk’s big project, consisting of works of different scale and character, but united by a single idea, which clearly reflects the essence of sculptor’s creativity. Bilyk is concerned about the principle of interaction between internal and external, tangible and intangible, the mechanism of emergence of the shape and space construction. The sculptor often uses language of a reversed volume, a counterform, which is essentially a void giving birth to a form.

“Counterform” is a “shadow synthesis” of a form, which creates respectively a “shadow” analytical series, a hidden world of root causes.” (Nazar Bilyk)

In the language of sculpture the artist tells the story about how the original idea is getting exposed, how meaning is gradually taking shape, manifesting itself in the physical space, as it seeks to approach the root causes of the substance birth. Viewing this project, one can independently, using one’s own consciousness, complete the process of creation. Thus Bilyk not only examines aspects of form, but also the mechanisms of human perception. Visualizing the very structure of the image, its “reverse side”, the artist adds new dimensions to spectator’s view, extending the range of values ​​and enriching the associations.

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SOLO EXHIBITION «COUNTERFORMS» Bottega Gallery, Kiev, 2012

“Counterforms” is Nazar Bilyk’s big project, consisting of works of different scale and character, but united by a single idea, which clearly reflects the essence of sculptor’s creativity. Bilyk is concerned about the principle of interaction between internal and external, tangible and intangible, the mechanism of emergence of the shape and space construction. The sculptor often uses language of a reversed volume, a counterform, which is essentially a void giving birth to a form.

“Counterform” is a “shadow synthesis” of a form, which creates respectively a “shadow” analytical series, a hidden world of root causes.” (Nazar Bilyk)

In the language of sculpture the artist tells the story about how the original idea is getting exposed, how meaning is gradually taking shape, manifesting itself in the physical space, as it seeks to approach the root causes of the substance birth. Viewing this project, one can independently, using one’s own consciousness, complete the process of creation. Thus Bilyk not only examines aspects of form, but also the mechanisms of human perception. Visualizing the very structure of the image, its “reverse side”, the artist adds new dimensions to spectator’s view, extending the range of values ​​and enriching the associations.

Skillfully combining tradition and innovation, classical and experimental approach, the artist is looking for the definition of the very concept of “modern sculpture”. Bilyk’s works are diverse and polysemantic from both substantive and technological point of view. He explores the boundaries of visible by means of sculpture, analyzes properties of the form and its interaction with space, experiments with different materials. Among the materials Nazar is working with are bronze, steel, glass, various polymers. Analyzing space, form, light, Bilyk studies also their interaction with the consciousness of the viewer, which, along with other means, becomes a plastic material for a sculptor.

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VISION, 2012

From the Counterforms series, resins, 30 х 16 cm

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VIEW, 2012

From series Counterforms, resin, 30 х 16 сm

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TEMPLE, 2012

From the Counterforms series, resins, 30 х 16 cm

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СUBE, Lavra Gallery, Kiev, 2012

From the series Counterforms, Polymeric materials, metal, h-300 cm

From the series Counterforms, Polymeric materials, metal, h-300 cm

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SOLO SHOW “THE BORDERS OF SPACE, bottega gallery, Kiev, 2010

In his works Nazar Bilyk explores the boundaries of visible space with the possibilities of sculpture. Our understanding of space over the last two decades has changed considerably. From an ontologically-defined concept, it has become rather relative. The notion that you need to redefine every time.

Traditionally, the sculpture works with timeless space, which in the classical sense is not subject to time. In the practice of modern sculpture, it is said more about the premature space, its breakdown with time. How is it possible to explore the contemporary understanding of space with traditional circular sculptural methods? How to separate outer space from internal? Is it possible to find and fix its limits? Nazar Bilyk explores the boundaries of the visible, which each time slip away from him, and remain uncertain. the project unfolds like an endless act of thinking, when every attempt to answer the questions inevitably leads to the statement of the next.

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RAIN, 2013

bronze, glass, stone, Landscape alley, Kiev, Ukraine

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